In Photos: Portraits by photographer Jalani Morgan.
It’s always strange and a bit surreal to me when I look at a photograph of strangers and somehow manage to feel as though the person behind the lens has so aptly managed to capture the essence of those pictured. Perhaps it’s a bit of romanticism on my part, but I can’t help but feel that way when looking at the work of photographer Jalani Morgan. What may on the surface seem to be a simple portrait becomes an intensifying three-way relationship between the subject, the photographer and viewer. A two-dimensional image is brought to life and in a matter of seconds, upon gazing at Morgan’s portraits, I have no option but to feel a close connection to the unknown faces captured by his lens.
Jalani Morgan is a portrait, fine art and documentary photographer.
Born in Toronto, Ontario, and raised in Scarborough. He was influenced by his parents’ teachings of the African Diasporas and politics and through that is interjected into his art.
He produces work that investigates the representation from the African diaspora.
Currently he is studying at York University in Toronto obtaining his degree in Anthropology and African Studies.
Zanele Muholi: Of Love & Loss (2014) - Currently showing at Stevenson Gallery in Johannesberg (South Africa) from 14 February - 4 April 2014.
The opening coincides with the presentation of a prestigious Prince Claus Award to Muholi.
In times of increasingly homophobic legislation enacted by African countries and in a climate of intolerance towards homosexuals in the Western world, South Africa distinguishes itself with a Constitution that recognises same-sex marriages; yet the black LGBTI (lesbian, gay, bisexual, transgender and intersex) community is plagued by hate crimes. Black lesbians are particularly vulnerable and are regularly victims of brutal murders and ‘curatives rapes’ at the hand of neighbours or ‘friends’.
Since 2013 Muholi has been documenting weddings and funerals in the black LGBTI community in South Africa, joyful and painful events that often seem to go hand in hand. The show features photographs, video works and an installation highlighting how manifestations of sorrow and celebration bear similarities and are occasions to underline the need for a safe space to express individual identities.
As Muholi writes:Ayanda Magoloza and Nhlanhla Moremi’s wedding in Katlehong took place four months after Duduzile Zozo was murdered in Thokoza. Promise Meyer and Gift Sammone’s wedding in Daveyton took place on 22 December in Daveyton, 15 days after Maleshwane Radebe was buried in Ratanda. Six months earlier, Ziningi and Delisile Ndlela were married in Chesterville, Durban. Many in the area attended the ceremony, blessed the newlywed couple and prayed for them and their children. We long for such blessings as we continue to read about the trials and tribulations that LGBTI persons experience in their churches, where homosexuality is persecuted. In 2014, when South African democracy celebrates its 20 years, it seems more important than ever to raise again our voice against hate crimes and discriminations made towards the LGBTI community.
The exhibition includes also a series of autobiographical images, intimate portraits of Muholi and her partner taken during their travels, a tender counterpoint to the tension still generated in South Africa today by same-sex and interracial relationships.